Awls played in important role in beadwork production. Female artists artists utilized them for tying knots and threading.

While awls are ubiquitous throughout the Plain and Great Lakes and Plateau, some of the most elaborately decorated examples come to us from the Eastern Plains. In the case of the latter, examples were often fashioned with a bone or antler handle and elaborately carved.

This exceptional awl exhibits many of the most celebrated traits of Mesquakie sculpture. It is ornately carved and painted on three sides with motifs, including Maltese crosses, hour-glasses, and multi-colored marking. Simply put, this is a masterpiece!

4.75” long (overall), 3.5” long (handle); accompanied by a custom stand.

Reportedly collected by Thomas Torlino (Navajo) during his enrollment at the Carlisle Indian School (1882-1885); ex Peter Wilson of Mechanicsburg, PA, pre1982; handed down by descent, PA; Thomas Cleary, NM (personal collection).

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